
“I’LL BE GOIN’ FROM JACKSON” ushers in a new album and a fresh sonic path.
Following the ambitious double album Waitin’ To Be Seen, Bullinger’s new material ushers in a vibrant and surprising turn—fueled by a New Orleans-inspired sound that leans heavily on horns, groove, and a freer, looser feel. Recorded at the acclaimed Marigny Studios in New Orleans’ historic Faubourg Marigny district, the new record blends rock, jam, blues, and folk into something warmer, wilder, and more rhythm-forward than anything in Bullinger’s catalog to date.
“Over half the states have Jacksons,” Chris says of the single’s origins. “And Jackson is a state of mind. I been to Jackson. Ain’t left. That’s how I know that wherever I go, I’ll be goin’ from Jackson.”
“I’ll Be Goin’ from Jackson” offers the first taste of that new sonic palette—horns-led and highway-ready, equally fit for early summer sunsets, meandering country drives, and weekend coffeeshop walks.
The track was brought to life by a talented cast of New Orleans musicians at Grammy-winner Rick G. Nelson’s Marigny Studios. The legendary studio has played host to a who's-who of artists — from My Morning Jacket and Preservation Hall Jazz Band to St. Vincent, PJ Morton, Trombone Shorty, and Arcade Fire. Known for its vintage warmth and analog soul, Marigny’s distinctive ambiance set the tone for an album that captures both motion and memory, all with Chris’s unmistakable lyrical edge.
“Filming a video or tracking a record—either way, it’s about trust,” Chris says. “At Marigny, I felt like the walls remembered the music. It’s a studio that helps you step out of your own way.”
My double album, WAITIN’ TO BE SEEN is out everywhere you consume music!

About Chris Bullinger
In the second grade, Chris Bullinger was told that he couldn’t sing. But Chris doesn’t like being told what he can’t do. He began writing poetry at a young age and songs sometime thereafter. Born and raised in the Midwest, Chris has lived here and there and now spends a lot of time in Nashville and Asheville. His musical influences include Bob Dylan, Townes Van Zandt, and Steve Earle.
